Piasok (eng. sand) is a one-day exhibition which rethinks the changes in the life of Eastern European society. Society is a collection of units that have received new properties in their sum and mass. Just like sand, it sticks together under the density of time and crumbles again before lightning strikes. And again a new shape like glass and new properties like delicate transparency.

The distinguished bridesmaid with enchanting voices, Nara, gave her name to the lake. In the fall, the waters of the lake are the sustrev pan, as they will know the marriage of the woman, for which he is a categorical admova: Nara already has a wife. The lord will tell the servants to forget the young man, and Naru will leave his house. The riddle would have been solved, but the wife had not managed to survive with the terrible gentlemen, like the slaughter of a Kahanaga: she burned down the burglar’s house, and she escaped. The servants caught up with Naru kala samaga lakes, dze pan i sustreў yae, but the jumping admovila turned out to be free and grew up in the lakes. Hell is the name of the current bride and the name of the lake has come.

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Alexander Adamau, Riza
26 x 25 x 1 cm; food foil, aluminum tape 2023

Andrey Anro, The Church
16 x 9, video
2023

Vasilisa Palianina, Wet Hands
205 x 145 mm; paper book, printing
2023

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Text from Wet Hands artist's book 2023

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We believe that art is not only a way of expression, but also a powerful tool for social research and criticism. Our collective experiments with a variety of media and forms, including sculpture, installation, painting, graphics, as well as modern technologies such as 3D printing and 3D graphics, to explore and reflect the complexities of contemporary society.